curated by luiza lukova
after image 003
march 6 – 29, 2025
The status of the image in art has invariably been a subject of debate in art criticism, and ever more in recent years. In turn, the image has been fully subsumed into the circulation of production and consumption. Images have become ubiquitous and permeate a daily life wherein propaganda, ideology, advertising, entertainment, and spectacle commingle and implicate each other.
As contemporary art, in all of its manifestations, is saturated with the circulation of images, the question of "What is next, if anything?" and "What strategies might be employed to create the image that is not so implicated?" and "What are the limits, if any, to an artist's genre of art-making?" have increased in salience. In response, the twenty one artists on view challenge how their image-making might oppose traditional perception and where, in fact, it might insist on it?
Patterns emerged organically. Shadows, distortions, color play, and a tangible mark-making link these disparate works and artists. The visceral desire to push against expected boundaries of visual representation allows these works to appear simultaneously wondrous and meticulously calculated. On view in the gallery space, they present as a unified force eager to call upon symbols and references and turn them on their heads.
In this third iteration of our annual group exhibition, these 21 artists, with the careful curation of Luiza Lukova, respond to these states of affairs with all their social, political, and aesthetic implications. Foregrounding after / time gallery’s research-forward focus, each of these artists bring to the fore their insights into the image. By turns whimsical, tragic, industrial, poésie concrète, and definitionally defying, these works of art make us wonder why image provokes beyond itself, why a limitation for one person is an alternate universe for someone else, or to what extent image is inherently open-ended, even with the weight of its history as window, frame, mirror, concept, idea, and representation. Image as the possible and the no-place of utopia. It’s all there, and more."
artists S. Proski, Thomas Huston, Nicole Williford, Brooks Cashbaugh, Isaac McKenna, Andrea Bagdon, Eso Malflor, Jacob Romero, Bryce H. Frimming, Carolyn Hazel Drake, Ahnika Wood, Karina Rovira, Viktor Kobylianski, A.J. Cincotta-Eichenfield, Yuyang Zhang, Megan Bainbridge, John Walker, Wang Yiming, Sydney Milan Roberts, Ruth Meijer, Häsler Gómez
photodocumentation Mario Gallucci
AFTER IMAGE 003 (south view)
Häsler Gómez, UNNAMED, 2024
S. Proski, Devil’s Island, 2024
Thomas Huston, [1949755] and [1949751], 2023
Nicole Williford, In Waiting, 2024
Brooks Cashbaugh, A Fog That Makes Redirection Difficult, 2022
Andrea Bagdon, Adoration, 2025
Eso Malflor, Self-Portrait (Post-Op), 2024
Brooks Cashbaugh, Snake Root Shadows on Aluminum Siding, 2023
Jacob Romero, Untitled (Ecclesiastes 1:5), 2024
Nicole Williford, Suburban Dream, 2024
Bryce H. Frimming, An Apex of Demise, 2024
Isaac McKenna, Erratic (Leschi Park, Seattle, WA #2), 2024
AFTER IMAGE 003 (north view)
AFTER IMAGE 003 (south view)
Carolyn Hazel Drake, Eccentric Patchwork I, 2024
Ahnika Wood + Karina Rovira, I Hear All the Cries its Laying Bare Has Cost M/e (Y/our Letter), 2024
Viktor Kobylianski, TWIST (diptych), 2024
A.J. Cincotta-Eichenfield, FLOATING ISLANDS-01, -03, and -07, 2024
Eso Malflor, Minneapolis’ Third Precinct, 2024
Yuyang Zhang, Request for Evidence, 2024
Megan Bainbridge, Red 40 from Reading the Black (left) and TBHQ from Reading the Black (right), 2024
John Walker, WELLIAMAFRAIDOFFIRE, 2024
Sydney Milan Roberts, Life of a Spider, 2024
Ruth Meijer, Meander I and Meander II, 2024
AFTER IMAGE 003
