nate orton
king tide in empty spaces
february 6 – 28, 2026
“I carry a sketchbook wherever I go, allowing me to capture witnessed scenes and ideas by making quick drawings, watercolor paintings and notes. Mostly, events and pictures unfold during daily routines, allowing me to keep detailed records on all the interesting, beautiful and surreal things that I experience. Once back in the studio, these notes turn into paintings, prints and zines that show a sort of visual map, or narration, of my interactions from day to day. This open air-to-studio process of record keeping helps me create a more intimate relationship with my surroundings so I can make accurate representations of the places to which I am connected throughout the Pacific and Inland Northwest. Paying homage to regional artists of the 20th century such as Amanda Snyder, Morris Graves and Charles Heaney, I want to continue their legacy of creating visual time capsules for our region and be a part of the story of the Northwest.”
photodocumentation Mario Gallucci
King Tide in Empty Spaces (south view)
Girl Appears in Empty Space, 2024
King Tide, 2023
After the storm, 2024
Shock of light on the Snake river, 2023
My Plaid Pantry has a mailbox, 2024
The passenger won't, 2023
The ball dribbler, 2021
Death in a pale pickup (after Albert Pinkham Ryder), 2024
All the shit you need, 2024
New light, 2023
Paper mill behind Skinner Canyon, 2024
Three birch trees, 2023
Clear day in the suburbs, 2024
I can be here, 2023
The rising tide of Mcloughlin BLVD, 2023
Sleepwalker, 2024
Wishbonz, 2024
Sun reflection, 2021
The Passenger, 2023
King Tide in Empty Spaces (north view)
The Passenger, 2023
The Passenger Poster, 2023
The Passenger, 2023
